Robert Venturi died on September 18, 2018. After I heard, I sent an email to a few colleagues and friends. It read:

I might not have realized how extraordinary—but I do now—for his first book, Complexity and Contradiction in Architecture (it was a manifesto, a monograph, and a portfolio all in one), to begin with the words, “I like . . . .” I realize now that almost nothing that follows those two words is as important as those two words themselves: the implicit declaration that it is what “I like” that matters. “I like” was a shot heard around the world of architecture. What it meant for me is that it centered architectural production and responsibility for architecture on the architect—that is, on the judgments, the percipient certainties, the questionings, the searching, of the architect. Centered on me. Centered on you. Far more than what Venturi said he liked or believed was so, and far more than whether one agreed with him or not, or liked the work or not, was the example he provided of the architect in the world, reckoning with the world and making something of it. Something that reflected that reckoning.
Author Richard Munday, AIA, is a principal at Newman Architects, New Haven, Connecticut. He was a founding editor and publisher of the Australian architecture journal, Transition, and co-editor of Perspecta, the Yale architecture journal, vol. 23. He has taught at Rhode Island School of Design, RMIT University (Melbourne), and the University of Adelaide.
From arcCA DIGEST Season 10, “Other Beauty.”





